Oud - Aoud - agarwood - Arte documentary from YouTube
Some are crazy about it - the others ..... like another.
annoys me is the hype about the currently ubiquitous in Oud fragrances - what is too much is too much. I know this special wood from the smoking, because I like it better and my nose!
are interesting, the following 3 clips from YouTube - the very interesting link to the documentation I owe a Member in a perfume forum: Thank you, AbuSaffya!
Wednesday, December 29, 2010
Tuesday, December 28, 2010
How Long Watch Baby Head
Narcisse Noir - Caron: one drop, which can create a world ... Because
A new awareness of physicality. Starting with the knee-length hair - with her Garconne look, short hair, small cherry lips and cigarette holder. Her with sexual freedom, with lovers, with expressive dance and forth with consciously lived experience.
And only a few seconds after the beginning, therefore, is primarily blütensüß as slow dripping maple syrup is, powerful, convincing and sharp, the second blow: the darkness, the black, the femme fatale.
astringency, spice, animal notes - even the smell urvertraut.Ich Vetyver and overwhelming animal notes, possibly civet, which is of course also listed. Clearly and openly animal and physically. Sweet musk is there and swing with the other flavors in harmony. The scent of change from a sweet bait to seducer.
The sweetness of the fruit blossom remains, Jasmine comes to mild, soft and night blooming and darkens like a black velvet curtain, a floor-length curtain, which the glare and the serenity of these little sweeties damps. But not quite. This heavy curtain is at times held back by a rich golden-band and small flash lights scent of narcissus, neroli, jasmine and dark red rose buds durch.Diese narcissus is still and always present with its stunning wealth of fragrance, narcotic.
Softer and richer than the "Usual" Daffodils scents that hold quite a bit sometimes Piercing.
Comprehensive and not volatile - this daffodil remains on the skin.
And what is there when I pull the velvet and the silk daffodils: leather. Yes I know, leather is not specified. On my skin become pure perfume Narcisse Noir as buttery soft, creamy black leather. Leather dry and wrinkled, velvety with soft tones. A bitter-sweet, slightly smoky note.
I am amazed at the ability of this perfume, the "black" literally to put into fragrance impressions. Black is for me the best non-color of the universe. Each color is placed above and with black shine.
Like here in this perfume - the white flowers have very different quality from the dark background.
from innocence, a white-flowered (not always blonde) bombshell on with ur instinctive skills seduction.
The old perfume is unfortunately in the top note flat and pale in comparison with the fresh scent. The many years he had robbed the furious entrance. And yet: The middle notes are heavy and rich, velvety and sensual - and, like almost expected: many times, "animal" - aggressively raw, rough. The base is bitter, leathery, arrogant. Offensive.
I just got my black narcissus - the old Flacon Baccarat - 30 ml - with a wonderful ingrained stopper. And it's even still contain old Extrait ... The counterpart to the Extrait Flacon 15ml in a novel and fresh, I have had for some time. And use ...
The scent: 1911 creiert con founder Caron Ernest Daltroff . A time of upheaval, also and above all, style and Art.
women change their look, their Selbstverstädnis: Away with the corsets, the air without abschnüren.Her with delicate lingerie whalebone.
women change their look, their Selbstverstädnis: Away with the corsets, the air without abschnüren.Her with delicate lingerie whalebone.
Lovis Corinth: The corset |
dress in flowing quantities of substances, materials, in entirely new sections. No bustle, no more Wagenradhüte that make getting into cabs almost impossible.
lady in a loose dress reform (center) next to older lady corset still (right) image of vintage blog |
A new awareness of physicality. Starting with the knee-length hair - with her Garconne look, short hair, small cherry lips and cigarette holder. Her with sexual freedom, with lovers, with expressive dance and forth with consciously lived experience.
Coco Chanel, circa 1913 - Image of mycontents.eu |
The fragrance is a revelation. First, I test - again, the fresh content that I know already.
A first blow with the Samtpeitsche tells of china white, innocent-creamy orange blossoms.
neroli, this sweet poison, this kandissüße and bitter scent that tells the story of southern gardens.
crushed fresh orange leaves with their astringency, juiciness, Green. Bitter woody, mossy, damp smells.
A first blow with the Samtpeitsche tells of china white, innocent-creamy orange blossoms.
neroli, this sweet poison, this kandissüße and bitter scent that tells the story of southern gardens.
crushed fresh orange leaves with their astringency, juiciness, Green. Bitter woody, mossy, damp smells.
And only a few seconds after the beginning, therefore, is primarily blütensüß as slow dripping maple syrup is, powerful, convincing and sharp, the second blow: the darkness, the black, the femme fatale.
astringency, spice, animal notes - even the smell urvertraut.Ich Vetyver and overwhelming animal notes, possibly civet, which is of course also listed. Clearly and openly animal and physically. Sweet musk is there and swing with the other flavors in harmony. The scent of change from a sweet bait to seducer.
The sweetness of the fruit blossom remains, Jasmine comes to mild, soft and night blooming and darkens like a black velvet curtain, a floor-length curtain, which the glare and the serenity of these little sweeties damps. But not quite. This heavy curtain is at times held back by a rich golden-band and small flash lights scent of narcissus, neroli, jasmine and dark red rose buds durch.Diese narcissus is still and always present with its stunning wealth of fragrance, narcotic.
Softer and richer than the "Usual" Daffodils scents that hold quite a bit sometimes Piercing.
Comprehensive and not volatile - this daffodil remains on the skin.
And what is there when I pull the velvet and the silk daffodils: leather. Yes I know, leather is not specified. On my skin become pure perfume Narcisse Noir as buttery soft, creamy black leather. Leather dry and wrinkled, velvety with soft tones. A bitter-sweet, slightly smoky note.
I am amazed at the ability of this perfume, the "black" literally to put into fragrance impressions. Black is for me the best non-color of the universe. Each color is placed above and with black shine.
Like here in this perfume - the white flowers have very different quality from the dark background.
from innocence, a white-flowered (not always blonde) bombshell on with ur instinctive skills seduction.
Unprecedented wealth of fragrance. One drop only - and a whole world opens before me. The scent reminds
volatile in parts of Shalimar and other scents that period - but only as a fleeting Erinnerung.Er is sensuous, in a more subtle kind where Shalimar is loud, Narcisse Noir subliminally highly erotic.
And - the more effective.
The base which develops gradually, can be back by the small florets - which enters aggressive vamp-grade strength back a little, as for observation. But it remains there ... long. Wonderful life, and again one or the other component comes to the fore. A small flutter of term labor and sometimes this, sometimes jenem.Simultan sweet and creamy, like a light syrup - and bitter, dark brittle. The associations of these opposites: light and dark, white and black, sweet and tart, innocent and seductive experience is so awesome, so delicate, so appealing, so complex.
volatile in parts of Shalimar and other scents that period - but only as a fleeting Erinnerung.Er is sensuous, in a more subtle kind where Shalimar is loud, Narcisse Noir subliminally highly erotic.
And - the more effective.
The base which develops gradually, can be back by the small florets - which enters aggressive vamp-grade strength back a little, as for observation. But it remains there ... long. Wonderful life, and again one or the other component comes to the fore. A small flutter of term labor and sometimes this, sometimes jenem.Simultan sweet and creamy, like a light syrup - and bitter, dark brittle. The associations of these opposites: light and dark, white and black, sweet and tart, innocent and seductive experience is so awesome, so delicate, so appealing, so complex.
mossy-farnige corner in my garden with wonderful Duftpotpourri |
Sun smells of the morning at the pond |
No fragrance for young girls, not a fragrance for the shy deer. Woman should know what they're getting into when they are, flavored with sea level, among people of both sexes begibt.Wenn ever there was a "pheromone" scent was or is to contain the pheromones without the effect of such holding, then here ... Here you are: a bottle of "weapon of the woman."
sending you can say: the new fragrance, "Reformulation" is good, as adjusted, a little arbitrary. The old original juice is an individualist, an insult, a statement. Almost no comparison with the delicious Düftchen modern times, the old perfume an experience and a look into the source of the world perfumer, who invented it.
I am thrilled and enchanted inspiriert.Düfte and music put me equally creative in a state. Then I must go
, design, painting ... I am now get away and be the subject of Narcisse Noir "Delivering for me. Intoxicated by the scent, which - I am sure will stay with on my list of scents, without which I can not.
I am thrilled and enchanted inspiriert.Düfte and music put me equally creative in a state. Then I must go
, design, painting ... I am now get away and be the subject of Narcisse Noir "Delivering for me. Intoxicated by the scent, which - I am sure will stay with on my list of scents, without which I can not.
Sunday, December 19, 2010
Armpit Cyst Epsom Salt
- Cassandra
Kassandra is the name of the daughter of Priam in Greek mythology. She looked into the future, but no one wanted her faith schenken.Noch today is said of unsuspecting predictions, it's "Cassandra cries." A tragic, dark female figure, a visionary of celebrated and captivating beauty, in which even the god Apollo love .....
This legendary figure is the namesake of another fragrance from the Because perfume house.
"Cassandra" Weil was produced in the period 1936-1969 and sold. The "nose" of this fragrance was Jacqueline Fraysse.
I found this beautiful flacon - with mat, spherical glass stopper and clear, bright Korpus.Teile the glassine seal and the gold ribbon is still there, the gold label is impeccable. Almost full, the perfume was probably not used very often.
And the plug was stuck. This seems to be (for me) program, the Weil-flasks.
So I searched back together all the courage and tries to force route by using leverage through my Juwellierzange.
It worked out well. Only my nerves exploded for a moment that the fixed, ground-in stopper with a loud "KNACKKK" flew out of the neck. It sounded accurate to the way a breaking of glass. Pure adrenaline - but all was well. He flew a little distance - and I was finally able to smell the fragrance. The fragrance begins
unfortunately somewhat acidic, the top notes of bergamot and lemon have changed to their disadvantage. But soon this unpleasant odor is gone through, and a bouquet unfolds:
aldehydes and slightly spicy notes, herbal, green ingredients are mixed with unexpected warmth in the background. I smell a lot! Oak Moss, resin, galbanum, benzoin, vanilla and Styrax.
Any fruit shine through juicy and ripe, it could be cherries, or apricot seeds / almonds. A touch of marzipan maybe ....
I'm thrilled with how this unfolds bulky old, antique perfume. The wort is
and herbs (angelica root perhaps?) vanish.
Now come the animal grades gradually into the foreground and hover over the skin as it were. For me to date the perfume with the highest perceived levels of gray amber. Civet is present, and sandalwood. A bit of patchouli, incense, a little - a fragrance cocktail worthy of a Greek woman of mythology.
The base is long, lush, sexy and rich in diversity. A few swabs are enough to completely wrap myself in this complex fragrance experience - an effect that is unfortunately lacking in most modern perfumes.
I'm really glad to have this treasure of a nearly full bottle of 30ml. That's enough for me for a while - and promises expressed Genuss.Verführerisch, mysterious, profound.
picture of http://reason.com/blog |
"Cassandra" Weil was produced in the period 1936-1969 and sold. The "nose" of this fragrance was Jacqueline Fraysse.
I found this beautiful flacon - with mat, spherical glass stopper and clear, bright Korpus.Teile the glassine seal and the gold ribbon is still there, the gold label is impeccable. Almost full, the perfume was probably not used very often.
Cassandra - and Art Deco knife from the 30s |
So I searched back together all the courage and tries to force route by using leverage through my Juwellierzange.
It worked out well. Only my nerves exploded for a moment that the fixed, ground-in stopper with a loud "KNACKKK" flew out of the neck. It sounded accurate to the way a breaking of glass. Pure adrenaline - but all was well. He flew a little distance - and I was finally able to smell the fragrance. The fragrance begins
unfortunately somewhat acidic, the top notes of bergamot and lemon have changed to their disadvantage. But soon this unpleasant odor is gone through, and a bouquet unfolds:
aldehydes and slightly spicy notes, herbal, green ingredients are mixed with unexpected warmth in the background. I smell a lot! Oak Moss, resin, galbanum, benzoin, vanilla and Styrax.
Any fruit shine through juicy and ripe, it could be cherries, or apricot seeds / almonds. A touch of marzipan maybe ....
I'm thrilled with how this unfolds bulky old, antique perfume. The wort is
and herbs (angelica root perhaps?) vanish.
Now come the animal grades gradually into the foreground and hover over the skin as it were. For me to date the perfume with the highest perceived levels of gray amber. Civet is present, and sandalwood. A bit of patchouli, incense, a little - a fragrance cocktail worthy of a Greek woman of mythology.
The base is long, lush, sexy and rich in diversity. A few swabs are enough to completely wrap myself in this complex fragrance experience - an effect that is unfortunately lacking in most modern perfumes.
I'm really glad to have this treasure of a nearly full bottle of 30ml. That's enough for me for a while - and promises expressed Genuss.Verführerisch, mysterious, profound.
Tuesday, December 14, 2010
Snot Like Cm Before Ovulation
As Mainz on the Rhine was not
Mainz / Wiesbaden (Ernst-Probst-blog) - The Rhine was about ten million years ago a small river. He reached only a length of approximately 400 kilometers instead of miles in 1324 than today. Originally it did not flow through the area of Oppenheim, kidney stones, neck home, Mainz, Wiesbaden and Ingelheim. Instead, he fought off about Worms - track, more than 20 kilometers west of the Rhine current cot - his way through Rheinhessen. In the space Eppelsheim near Alzey he only had a width of about 45 to 60 meters. Today he is up to 400 meters wide. Over the Rhine early informed the small paperback entitled "The Mainz was not yet on the Rhine" the Wiesbaden-based science writer Ernst Probst. It is dedicated to the paleontologist Dr. Jens Lorenz Franzen in Titisee-Neustadt, former mayor Heiner Roos Eppelsheim and the Mayor Ute Klenk-Kaufmann Eppelsheim, which - each in his own way - to the study of animal life at the Ur-Rhein and around the made up of "Dinotherium Museum" in Eppelsheim deserves.
order the e-book "The Mainz on the Rhine was not" at:
http://www.grin.com/e-book/161642/als-mainz-noch-nicht-am-rhein-lag
Mainz / Wiesbaden (Ernst-Probst-blog) - The Rhine was about ten million years ago a small river. He reached only a length of approximately 400 kilometers instead of miles in 1324 than today. Originally it did not flow through the area of Oppenheim, kidney stones, neck home, Mainz, Wiesbaden and Ingelheim. Instead, he fought off about Worms - track, more than 20 kilometers west of the Rhine current cot - his way through Rheinhessen. In the space Eppelsheim near Alzey he only had a width of about 45 to 60 meters. Today he is up to 400 meters wide. Over the Rhine early informed the small paperback entitled "The Mainz was not yet on the Rhine" the Wiesbaden-based science writer Ernst Probst. It is dedicated to the paleontologist Dr. Jens Lorenz Franzen in Titisee-Neustadt, former mayor Heiner Roos Eppelsheim and the Mayor Ute Klenk-Kaufmann Eppelsheim, which - each in his own way - to the study of animal life at the Ur-Rhein and around the made up of "Dinotherium Museum" in Eppelsheim deserves.
order the e-book "The Mainz on the Rhine was not" at:
http://www.grin.com/e-book/161642/als-mainz-noch-nicht-am-rhein-lag
Monday, December 13, 2010
Slideshow Creation Professional Software
Art Deco - Flacon Caray - The n'ose
This is my new "found object" - a bargain, the first was undetected at me on the chest of drawers . I had bought it because it was so wonderfully pretty "Art Deco" is - I have a soft spot for this period (including ...)
is unfortunately a part of the left arm splintered off - that happens sometimes with as containing old bottles. No label, no label, no packaging - so I assumed it was simply a dressing table-decoration, as then in many cases.
be filled with any scent ...
I just enjoy this cute girl character who is prepared lovingly with pearls necklace, carefully crimped hair and fine details here and there. She sits on her frilly pillow, from a Middle Eastern "pouf" accurate time.
I remember that my grandmother still had such a feature, which was from the 20s - on top was one missed, formerly üppgier velvet brocade - the pages were made of fairly abgewetztem velvet. Certainly even a part for an opulent boudoir - for me as a child a welcome soft Sitzmöbelchen at low altitude.
Now I found rummaging through the Ebay several deals that Flacon, and the like, more or less gilded show with or without box or label, partly for outrageous prices. Without error, chips etc, but unaffordable for me. At least I found out
any Flacon contained several different scents of the company Caray in the 20s and 30s.
least I know now that this was not purely decorative Flacon Flacon.
I am very pleased that that feature is "alive" is now in my closet continues ...
This is my new "found object" - a bargain, the first was undetected at me on the chest of drawers . I had bought it because it was so wonderfully pretty "Art Deco" is - I have a soft spot for this period (including ...)
is unfortunately a part of the left arm splintered off - that happens sometimes with as containing old bottles. No label, no label, no packaging - so I assumed it was simply a dressing table-decoration, as then in many cases.
be filled with any scent ...
I just enjoy this cute girl character who is prepared lovingly with pearls necklace, carefully crimped hair and fine details here and there. She sits on her frilly pillow, from a Middle Eastern "pouf" accurate time.
I remember that my grandmother still had such a feature, which was from the 20s - on top was one missed, formerly üppgier velvet brocade - the pages were made of fairly abgewetztem velvet. Certainly even a part for an opulent boudoir - for me as a child a welcome soft Sitzmöbelchen at low altitude.
Now I found rummaging through the Ebay several deals that Flacon, and the like, more or less gilded show with or without box or label, partly for outrageous prices. Without error, chips etc, but unaffordable for me. At least I found out
any Flacon contained several different scents of the company Caray in the 20s and 30s.
least I know now that this was not purely decorative Flacon Flacon.
I am very pleased that that feature is "alive" is now in my closet continues ...
Saturday, December 11, 2010
Testing Tooth Decay With Eggs
Russian perfume bottles
And my search has now borne fruit in another. With luck, I have to show two new acquisitions.
one of them a wonderfully deep cobalt blue glass bottle with an oval paper label and a clear-white glass stopper.
This work is ground in, so I guess that bottle from the period before 1960. Thereafter, in most perfumes, the glass stopper, if still used, covered with a plastic coating to prevent seizing.
The other bottle stands out above all through his wonderful green, decorated and wonderfully kitschy packaging: malachite green paper with Acanthus scrolls decorated the outside of the dome-shaped packaging, inside is all lined with lightly golden metallic paper.
The whole thing is by an oxidized, the former golden Metallfädchens, which ends in two Holzperlchen.
interior is a very rough crafted molded glass bottle, also with eingeschilffenem glass stopper. Everything is still full of liquid, an unknown and apparently umgegangener scent - slightly floral.
The bottle trying to convey a certain opulence and elegance, which he manages from a distance. Looking at the glass but on closer look, and feel the rough, knobby and unrefined outer Page - the seams are pressed glass in any way been revised or beige ground.
What counts is the overall impression, and the lives of the interesting packaging.
I think I have a new collection area - sparked my interest. Certainly not the smells, but on the bottle and the packaging, in particular!
So if someone older bottles of Russian origin, he or she does not want more - I ask me an email. Perhaps we are indeed in the business :-))
And my search has now borne fruit in another. With luck, I have to show two new acquisitions.
one of them a wonderfully deep cobalt blue glass bottle with an oval paper label and a clear-white glass stopper.
This work is ground in, so I guess that bottle from the period before 1960. Thereafter, in most perfumes, the glass stopper, if still used, covered with a plastic coating to prevent seizing.
The other bottle stands out above all through his wonderful green, decorated and wonderfully kitschy packaging: malachite green paper with Acanthus scrolls decorated the outside of the dome-shaped packaging, inside is all lined with lightly golden metallic paper.
The whole thing is by an oxidized, the former golden Metallfädchens, which ends in two Holzperlchen.
interior is a very rough crafted molded glass bottle, also with eingeschilffenem glass stopper. Everything is still full of liquid, an unknown and apparently umgegangener scent - slightly floral.
The bottle trying to convey a certain opulence and elegance, which he manages from a distance. Looking at the glass but on closer look, and feel the rough, knobby and unrefined outer Page - the seams are pressed glass in any way been revised or beige ground.
What counts is the overall impression, and the lives of the interesting packaging.
I think I have a new collection area - sparked my interest. Certainly not the smells, but on the bottle and the packaging, in particular!
So if someone older bottles of Russian origin, he or she does not want more - I ask me an email. Perhaps we are indeed in the business :-))
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